Im Europa des achten Jahrhunderts entwickelt sich der Sohn des friesischen Königs zum Anführer der Revolte gegen die Unterdrücker aus. Frizzled Gladiole King Redbad. Artikelnummer: Verfügbar: (Vorbestellung möglich). In den Warenkorb. AmazonPay. JTL PayPal. Von 1 Einheimischen empfohlen. Travel Agency. 5, Rondvaartbedrijf Redbad · bent-magazine.com Von 1 Einheimischen empfohlen. . Hafen / Marina. <
Frizzled Gladiole King RedbadFrizzled Gladiole King Redbad. KIEPENKERL · Vorschau: Frizzled Gladiole King Ein Online-Shop der Bruno Nebelung GmbH Wir verwenden Cookies. Frizzled Gladiole King Redbad. Artikelnummer: Verfügbar: (Vorbestellung möglich). In den Warenkorb. AmazonPay. JTL PayPal. Außerdem: Großsponsor ERGO und LAYENBERGER auf dem Abmarsch doe4. Interessantes Trio: vlnr Fons Vranken, Jaromir Zachrich, Redbad Strikwerda.
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View All Photos Movie Info. A Frisian fights against his sworn enemy, the Lord of the Franks. Alex van Galen. Sep 14, Jonathan Banks Pepijn.
Huub Stapel Aldigisl. Lisa Smit Fenne. Loes Haverkort Frea. Gijs Naber Redbad. Alex van Galen Screenwriter. October 27, Full Review…. View All Critic Reviews 2.
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Peter Faber. Marieke Heebink. Sierd Jan van der Meulen. Mike Weerts. Jack Wouterse. Tibo Vandenborre. Daphne Wellens. Tagline: The legend. Negara: Netherlands.
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Tinggalkan Balasan Batalkan balasan Alamat email Anda tidak akan dipublikasikan. LIGAXXI SITUS NONTON FILM BIOSKOP ONLINE SUBTITLE INDONESIA INDOXXI LK21 LAYARKACA21 LIGAXXI adalah sebuah situs yang menyediakan layanan Nonton Film Bioskop Online dari berbagai macam negara.
Situs Nonton Film Bioskop Online Streaming Movie Subtitle Indonesia Gratis Download Online LIGAXXI media nonton movie LK21 terbaik tahun There is breath-taking cinematography at times, with wide landscapes and lush art direction that made me wonder where they were all shot.
Some have criticized the harsh and desaturated quality of the image, but I disagree; the early Middle Ages were harsh times, and there is no objection to seeing that grittiness reflected in the atmosphere, as long as things are not muddled.
Some also complained that the battle scenes were impossible to follow due to camera and editing, and because you can't discern between the two armies.
I don't share these objections either; if you're into paranoid symbolism, you could argue that the baddies dress in blue and have a coat of arms that resembles a Facebook logo, so they're easy to spot.
The battle scenes are not exactly of Game of Thrones quality they probably couldn't make one episode out of Redbad's entire budget , but they still look pretty good: slightly chaotic without looking too rehearsed.
There is some shaky-cam and quick editing, but nothing too frenetic. Nowhere did I get the feeling that it was unnecessarily disorienting, or that I lost oversight of what was happening on the screen.
Like in MdR, he has cast a lot of television actors and has them converse in modern Dutch. That was forgivable for MdR, but it doesn't work here.
For some reason, the farther you go back in time, the more ridiculous it sounds to hear historic characters use terms that didn't exist then especially using regional accents.
I have no principle problems with actors from soap operas and comedies dressed as feral Friesians except for some unnecessary cameos like Birgit Schuurman , but if you give them texts like "no, YOU look like sh t", then I get taken out of the movie, and I see the soapie again, not the character.
Granted, you don't want the characters speaking in ridiculously pretentious verses like in Troy "I am Ajax, destroyer of rocks" always gets a good giggle from me , but it must be possible to give the dialogue some sense of historic solemnity and gravitas, like in Gladiator, without becoming pompous or completely unintelligible.
It is almost fascinating to see actors of all ages and walks of life struggling with the contrast between their appearance and their texts, and most seem to compensate for this by overacting as if they were doing Shakespeare in a school play, turning every phrase into an emphasized one-liner.
Jonathan Banks as Pepijn was obviously cast to give the movie some international appeal, but at least his "Medieval Mike Ehrmantraut" performance is one of the few that doesn't feel too misplaced.
The screenplay, apart from the dialogues, is my second grief. Not so much is known about the historical Redbad, so it is completely acceptable that they made up several elements for dramatic purposes, as long as that makes for an engaging narrative.
That the superior Frankish army looks like a pretty unimpressive group of soldiers isn't a big problem again, Dutch budgets. But in a solid script, the presented elements at least make sense or are properly motivated and balanced.
The Franks are depicted as murderous zealots, which makes them uninteresting one-dimensional villains, probably used as easy comparisons to ISIS and a contrast with the noble Friesians who historically must have been just as cruel at times.
Redbad himself is presented as the Dutch Braveheart, including a "they may take our lives but they will never take our freedom" speech.
He is apparently bound to lead his people to victory, and everywhere he comes, people hail him as their savior, but we never get to see why he is such a good strategist, and how he acquired those skills.
Gijs Naber is a fine actor and he is doing his best with the material that is handed to him, but he still feels ill-equipped for such a tough role.
There are more annoying holes in the story and presentation. Why do the Franks speak English, where French would seem more logical?
Why do Friesian tribes in Denmark speak English, the same language as the Franks, instead of something sounding more Dutch like Danish?
Why are the place name captions in English, whereas the opening and closing texts are in Dutch? And a dishonorable mention for the way in which two of the battles in the movie are resolved; one involving the sea, and the almost laughable skirmish at the climax involving a spear.
Finally, the nail in this biopic's coffin is that it is constantly overselling itself with bombastic music and unnecessary visual tricks.
I am not necessarily a supporter of the 'less-is-more' dogma, but here, even calm dialogue scenes that would call for two instruments and a soft choir are smothered in obtrusively epic music.