Complete Orchestral Music. von La Veccia,Francesco, Orchestra Sinfonia di Roma und Respighi,Ottorino. “ So hat Ottorino Respighi den Inhalt des ersten Satzes seiner „Pini di Roma“ überschrieben. Riccardo Chailly lässt sich nicht lange bitten. Die. Eingespielt mit der Filarmonica della Scala widmet sich der Dirigent dem italienischen Komponisten Ottorino Respighi. Am 9. Juli in Bologna geboren. <
Ottorino RespighiOttorino Respighi (* 9. Juli in Bologna; † April in Rom) war ein italienischer Komponist. Er gilt als führender Vertreter der neueren italienischen. “ So hat Ottorino Respighi den Inhalt des ersten Satzes seiner „Pini di Roma“ überschrieben. Riccardo Chailly lässt sich nicht lange bitten. Die. Ottorino Respighi war ein italienischer Komponist. Er gilt als führender Vertreter der neueren italienischen Instrumentalmusik.
Respighi Compositions by: Respighi, Ottorino VideoRespighi: 6 Pieces for Piano (Scherbakov) In the autumn Arturo Toscanini conducts the Fontane di Roma in Milan, making it an instant success. Pini presso una catacomba Pini di Roma 3 Hörprobe Track 3: Iii. In Baldy Man Molinari conducts the first performance of the Elke Boltenhagen poem Pini di Roma at the Augusteo.
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Learn More in these related Britannica articles:. Rome, historic city and capital of Roma provincia province , of Lazio regione region , and of the country of Italy.
Rome is located in the central portion of the Italian peninsula, on the Tiber River about 15 miles 24 km inland from the Tyrrhenian Sea.
Once the capital of an ancient republic…. Pines of Rome, tone poem for orchestra in four movements by Ottorino Respighi , premiered in in Rome.
They were joined by violinist Mario Corti. The tour saw dates across Italy, followed by Prague , Brno , and Vienna. This created a spell of productivity and Respighi eagerly completed Belfagor , his first opera in a decade, without the spells of depression that had usually affected him once he had finished a work.
In October , Respighi and Elsa relocated to a flat in Palazzo Borghese in Rome which they named I Pini The Pines. His growing international fame allowed the composer some level of freedom, but at the same time encouraged the regime to exploit his music for political purposes.
Respighi vouched for more outspoken critics such as Toscanini, allowing them to continue to work under the regime. He disliked the time consuming administrative duties that the position required; by , he resigned to dedicate more time to compose.
Respighi continued to teach an advanced composition course at the conservatory until Respighi's second Roman tone poem, Pines of Rome , premiered in December at the Augusteo Theatre in Rome.
It went on to become one of his most widely known and recorded pieces. In , he collaborated with Sebastiano Arturo Luciani on an elementary textbook entitled Orpheus.
By the mids, Respighi's growing worldwide fame encouraged the composer to travel extensively, conducting his own pieces, or performing as soloist for his piano compositions.
In May , Respighi and Elsa travelled to Brazil to engage in a concert series of his own music in Rio de Janeiro. The musical style and local custom inspired Respighi, who told the press of his intention to return in the following year with a five-part orchestral suite based on his visit.
Respighi did return to Rio, in June , but the composition was finalised in the form of an orchestral work in three movements entitled Impressioni Brasiliane "Brazilian Impressions".
He dedicated it to American pianist Elizabeth Sprague Coolidge , the patron for the work. In November , Respighi returned to America for the premiere of his piano and orchestral work, Toccata per pianoforte e orchestra "Toccata for Piano and Orchestra".
It took place that month at Carnegie Hall with Willem Mengelberg conducting the New York Philharmonic Orchestra with the composer as soloist.
By the year's end Respighi had completed his third Roman tone poem, Roman Festivals , which took nine days to complete.
It premiered on 21 February at Carnegie Hall in New York City with Arturo Toscanini conducting the New York Philharmonic. Having completed the work, Respighi felt that he had incorporated the "maximum of orchestral sonority and colour" from the orchestra and could no longer write such large scale pieces.
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N cont. Er starb im Alter von knapp 57 Jahren an einem Herzleiden. Seine Frau Elsa überlebte ihn um 60 Jahre und kümmerte sich während dieser Zeit intensiv um die Pflege seines musikalischen Erbes.
Nach eher klassizistischen Frühwerken erweiterte sich Respighis Musiksprache nach dem Aufenthalt in Russland. Diese Komponisten traten gegen die Übermacht der veristischen Oper von z.